二十世纪西方文学情感命题的创作构架  

The Creation Framework of the Emotional Proposition in the Twentieth Century's Western Literature

作　　者：龚华玲[1] 

机构地区：[1]信阳农业高等专科学校外语系,河南信阳464000

出　　处：《延安职业技术学院学报》2012年第4期91-92,97,共3页Journal of Yan’an Vocational & Technical College

摘　　要：文学创作是社会思潮在现实中的真实映射,然而,作家的创作灵感,会随着社会思潮的变化而转型。劳伦斯不但把感情细描为一种带有神秘主义色彩的经验,而且在他的作品中已把男女感情作为主题进行常态的创作。在20世纪西方文学作品中,大多作者都在作品中勾勒了主人公感情体验的现实旨趣,并以此为契机寻找个性独立的自我认知之旅,对爱情的凝结为家庭的繁琐与欣喜,并借用非现实世界的相遇来弥补现世爱情的缺憾。literary creation is a social consciousness in the reality of mapping, however as the phenomenon of consciousness, literature and psychology that consciousness is not quite the same as, along with the social life changes. Love the topic in different social development into a different story, Laurence put the feelings as a mystical experience, in spite of his works centered sex underwent a change.

关 键 词：劳伦斯 爱情体验 家庭本位 

分 类 号：I206.7[文学—中国文学]