中国当代壁画的“缺席”与“在场”  

The "absense" and "presense" of Chinese contemporary mural art

作　　者：高蕾[1] 

机构地区：[1]西安美术学院工艺系,陕西西安710065

出　　处：《西安工程大学学报》2012年第3期323-327,共5页Journal of Xi’an Polytechnic University

摘　　要：从中国当代壁画的主题、表现语言、政府的支持程度等不同层面进行了论述,梳理、分析了其中的问题所在.与其他艺术相比,中国当代壁画总是处在一种"缺席"的状态,中国当代壁画要想获得重新"在场"的契机,必须剖析其本身从形式到公众性缺失等方面的诸多问题.The different levels of Chinese contemporary mural art such as the theme,the expression language and the degree of government support are discussed by combing and analyzing the issues in this levels.Compared with other forms of art,Chinese contemporary mural art is always absent in the art stage.To get a new opportunity to show itself again,Chinese contemporary mural art must undergo a thoroughly analysis of its problems,ranging from its form to the lack of publicity.

关 键 词：中国当代壁画 现代主义 公共空间 

分 类 号：J218.6[艺术—美术]