从苗族古歌《姊妹歌》看苗族社会历史的变迁  

Through the Hmong's Epic Song-Sister Song to Aee the History and Cultural Changes of Hmong Society

作　　者：吴倩华[1] 罗丹阳[1] 尤小菊[2] 

机构地区：[1]贵州大学人文学院,贵州贵阳550025 [2]清华大学继续教育学院,北京100086

出　　处：《贵州民族研究》2012年第4期88-93,共6页Guizhou Ethnic Studies

基　　金：2010年贵州大学人文学院科研课题"从苗族古歌<姊妹歌>看苗族社会历史的变迁"阶段性研究成果

摘　　要：《姊妹歌》是一首反映古代苗族社会中男尊女卑、男女经济不平等的诗歌,也是苗族妇女对失去生产资料和家庭地位的悲惨命运进行抗争的诗歌。它体现了苗族地区母权社会崩溃和父权社会确立的历史变迁。通过《姊妹歌》的研究,我们可以看到其产生的社会背景和反映的社会问题,对苗族历史文化特征和苗族妇女地位也能窥探一二,对苗族社会历史文化的变迁研究具有现实意义。The social and historical vicissitudes of the tunpu folks have been exerting an influence directly on the relationship between the tunpu folks and the native ethnic minorities.From the Ming to Qing Dynasty,the tunpu went through the variations from prosperity to decline,and then to prosperity again,and to decline forever at last.The ethnic relationship in this social background went through the changes from confrontation to integration,and then to confrontation again,and to integration forever at last as well.Today,the genealogies and the genealogical trees that the tunpu folks compiled and preserved have witnessed the courses of the historical changes of the tunpu folks in the past 600 years,and the cross-ethnical relationship between the tunpu folks and the native ethnic minorities during the past different historical periods.

关 键 词：苗族古歌 《姊妹歌》 社会变迁 

分 类 号：G112[文化科学]