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作 者:孙拥军[1]
出 处:《成都大学学报(社会科学版)》2012年第4期68-71,共4页Journal of Chengdu University (Social Sciences)
基 金:"重返1958:中国新民歌研究"阶段性成果
摘 要:1958年新民歌运动,是建国以来的一次重要文化事件,同时又是一场内涵极其丰富复杂的全民荒诞造诗运动,对中国诗歌传统,尤其是五四以来的中国新诗的发展产生了较大影响,无疑必将是当代学者们在进行中国当代诗学研究时,难以回避的历史课题。因而,在文学发展的新时期,重新去探讨大跃进新民歌与中国诗歌传统的渊源,及其对五四以来中国新诗的发展带来的影响,实事求是地做出客观、公正的分析和评价,将具有更新的学术价值和意义。The 1958 new folk songs movement, as an important cultural event since the founding of new China and a national- wide incredible poetry creation movement with its extremely rich and complex connotations, produced bigger effects upon Chinese poetry tradition, especially the development of new poetry of China since the May 4th Movement, thus becoming an unavoidable historical subject in research of the Chinese contemporary poetics by the contemporary scholars. Therefore, in the new period of literary development, it will be of more academic value and significance to re - explore the relationship between new folk songs movement in the period of Great Leap Forward and Chinese poetry tradition, the impact it produced on the development of the Chinese new poetry since the May 4th Movement, and seek truth from facts to make an objective, impartial analysis and evaluation of the said movement.
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