民国武汉竹枝词的平民化取向——以蔡寄鸥作品为例  

The Civilian Orientation of the Wuhan Zhuzhi Poems During the Republic of China——The Case of Cai Ji'ou's Works

作　　者：胡俊修[1] 索宇[2] 

机构地区：[1]三峡大学马克思主义学院,湖北宜昌443002 [2]三峡大学文学与传媒学院,湖北宜昌443002

出　　处：《三峡论坛》2012年第4期85-88,149,共4页China Three Gorges Tribune

摘　　要：以蔡寄鸥作品为代表的民国时期的武汉竹枝词是对传统竹枝词的继承与革新,在内容上既注重为新时期女性而歌唱,又着墨于对土风习尚的市井生活之描摹;在手法上文辞平易、清新自然、视角下移,体现出平民化的取向,是展开民国武汉城市新态的画卷,具有重要的城市社会文化研究价值。The Zhuzhi Poems of Wuhan during the Republic of China,which take Cai Jiou's works as a representative,is a succeeding and innovatory work after the traditional Zhuzhi Poems.Not only does it pay attention to the chant of women in the new era,but it also has great influence on the folk customs of the street life.As for writing techniques,it applies a plain,fresh diction and reflected the civilian orientation.All in all,the Zhuzhi Poems can be taken as the scroll painting of the new state of Wuhan in the Republic of China,and it is also of great value for the study of the urban social culture.

关 键 词：武汉竹枝词 蔡寄鸥 女儿竹枝 城市生活 平民化 

分 类 号：I206.6[文学—中国文学]