“文”与“野”——四明南词与宁波走书审美心理比较  

“Refinement” and “Popularity”——A Comparison of “Siming Nanci” and “Ningbo Zoushu” in Perspective of Aesthetic Psychology

作　　者：徐志斌[1] 

机构地区：[1]宁波大学艺术学院,浙江宁波315211

出　　处：《宁波大学学报（人文科学版）》2012年第5期108-113,共6页Journal of Ningbo University：Liberal Arts Edition

基　　金：宁波市哲学社会科学规划课题(G11-A28)

摘　　要：四明南词与宁波走书同为宁波地区历史悠久的曲艺曲种,由于其观众、演员、剧作者的不同,体现了他们"文"与"野"的不同审美心理。从审美心理学的角度,对四明南词与宁波走书所诞生的自然人文环境,创作、表演、欣赏环节,进行对比分析研究,并结合当代大众的审美心理,解读其历史发展规律和生存现状。Siming Nanci and Ningbo Zoushu are two kinds of time-honored folk arts in Ningbo. Their difference in audiences, actors and playwrights demonstrates people＇s different aesthetic psychologies of refinement and popularity. From the angle of aesthetic psychology, this article makes a comparison of their natural and human environments and the processes of their creation, performance and appreciation, and analyzes their historical development and current situations with a view to provide some theoretical reference for the protection of intangible cultural heritages.

关 键 词：四明南词 宁波走书 审美心理 “文”与“野” 

分 类 号：I207.39[文学—中国文学]