20世纪70年代末至80年代初中国大众文艺里的苏修形象  

The Image of Soviet Revisionism in Chinese Popular Literature in the Late 1970s and the Early 1980s

作　　者：孔源[1] 

机构地区：[1]北京大学

出　　处：《俄罗斯文艺》2012年第3期120-124,共5页Russian Literature & Arts

摘　　要：文学艺术中的异国形象表达是跨文化研究中一个有意义的问题,通过它可以了解具体时空中人们看世界的眼光和文化心态。在上世纪70年代末至80年代初的中国大众文化中,一度流行过独特的苏修形象。这个形象既包含了当时政治环境下中国人对苏联的警觉态度,又与五六十年代的中国人对外部世界的认知存在关系,同时还投射了文革结束和开放初期时中国人的某种心态。可以说,苏修形象表现的不仅是苏修,也是特殊时期中国人的侧面写照。Expression of the images of foreign countries in literature and arts is a significant issue in cross-cultural studies, which enables us to know about how and with what cultural psychology people look at the world at particular space and time. In the late 1970s and the early 1980s, the image of soviet revisionism once became prevalent in Chinese popular culture. The image contains the vigilant attitude the Chinese people held towards Soviet Union within the then political context, relates to the Chinese people＇s cognition of the outside world during the 1950s and 1960s, and reflects the psychology of the Chinese people during the post-cultural revolution period and the initial period of the reformation and opening. We may well say that what the image of soviet revisionism expresses is not only soviet revisionism but special political period. also a profile of the Chinese people in the

关 键 词：“苏修” 大众文艺 苏修形象 

分 类 号：I206.7[文学—中国文学]