桐乡彩色拷花溯源及其艺术特色  

Tongxiang multi-color stenciling printing: history and artistic features

作　　者：盛羽[1] 

机构地区：[1]宁波大学艺术学院,浙江宁波315211

出　　处：《纺织学报》2012年第9期116-121,共6页Journal of Textile Research

基　　金：浙江省社科联社科普及课题(11ND61)

摘　　要：针对桐乡彩色拷花的工艺特点与艺术特色进行了研究分析。通过实地考察、实物分析与相关文献的整理、分析与研究,在追溯彩色拷花历史源流的基础上,梳理了彩色拷花在各个历史时期的发展状况;在工艺方面,分析了彩色拷花的显花原理,归纳了彩色拷花的工艺流程,对刻版、练布、调色、印花、固色5个步骤做了总结;在艺术方面,从造型特点、组织形式的角度对彩色拷花的艺术特色进行了研究,并从造物观与审美观入手,探讨了背后所蕴含的文化特性。An investigation into the craft and artistic features of the multi-color stenciling printing in Tongxiang introduces its origin and development in different historical periods on the basis of field investigation,object analysis,and research on related documents,analyzes its color developing principle,discusses its technological process—stenciling,fabric scouring,color mixing,printing,color fixation,and examines its artistic features in terms of artistry,shaping,and organization,as well as the containing cultural features from the viewpoints of nature and aesthetics.

关 键 词：彩色拷花 镂版印花 民间工艺 桐乡 

分 类 号：TS941.1[轻工技术与工程—服装设计与工程]