从《漓江百里图》论关山月20世纪40年代初期的山水画创作  

On Guan Shanyue's Landscape Paintings in early 1940s in the "Landscape of Lijiang River"

作　　者：卢婉仪 

机构地区：[1]深圳市关山月美术馆研究收藏部,广东深圳518026

出　　处：《艺术探索》2012年第4期34-36,51,共4页Arts Exploration

摘　　要：关山月在桂林的创作过程,是他艺术创作活动中承前启后的关键时期。《漓江百里图》体现了关山月对山水画精神的理解与实践,以及在抗战时期中国现代绘画改革的特殊背景下,他对写生与创作的联系、自我风格的形成与创新等问题的深刻思考。During the creation process in Guilin,Guan Shanyue made a critical period of the past and in his artistic creation.The landscape of lijiang river reflects his understanding and practice of landscape painting spirit.It also shows the meditation of Chinese paintings about the connection of sketching directly from reality and creating from mind,and the formation of self-style and new ideas under the background of Anti-Japanese war(1937-1945).

关 键 词：关山月 漓江山水 抗战 

分 类 号：J205[艺术—美术]