抽离与重构——浅谈装饰艺术对现代中国画创作的借鉴作用  

Extraction and reconstruction:refering Chinese painting to modern decorative art

作　　者：吴泽锋[1] 

机构地区：[1]广州大学美术与设计学院,广东广州510006

出　　处：《广州大学学报（社会科学版）》2012年第6期82-85,共4页Journal of Guangzhou University:Social Science Edition

摘　　要：装饰性因素的运用,有利于在创作中国画时突破传统束缚,获得不同的视觉效果和审美体验。抽离传统中国画中具有审美价值的装饰性因素,以现代人的需求重构视觉的秩序,不失为中国画在当下寻求突破的一种有效手段:以装饰艺术中对线条的运用,结合当代普遍的审美认可,用来填补中国画线条的变化法则;色彩与用墨的技巧上,装饰艺术不拘于现实中物体的本原,大量使用具有概括性、象征性的颜色,采用明暗强烈的多种颜色来触发情感,对于长久以来奉"玄色至上"为根本的中国画也有借鉴作用。The use of decorative factors helps to break through the bondage of traditional Chinese painting to get different visual effect and aesthetiut experience. It is expected to he an effective method to extract from tradition- al Chinese painting decorative factors with aesthetic value and reconstruct their visual order according to the needs of modem people. Employment of lines in decorative art can be applied to change the line principle of Chinese paint- ing ; The general, symbolic use of color, the light and shade of color to trigger the intense emotion will shed light on Chinese painting which gives priority to ＂Xuan Se＂ in terms of the techniques of color and ink.

关 键 词：中国画 装饰艺术 抽离 重构 材质 水墨 重彩 

分 类 号：J204[艺术—美术]