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作 者:张婷婷[1]
出 处:《学术探索》2012年第10期63-66,共4页Academic Exploration
基 金:国家社科基金项目(08BXW023)
摘 要:2003前,云南影视作品呈现出"少数民族题材丰富、比重大,不同历史阶段主题各异,主角以女性为主,总体上影响力广泛,重视音乐歌曲创作"等特点。近年来,云南影视创作中,本土影视作品拍摄少、外来片或借景拍摄较多,拍摄模式以"外来导演+外来演员"为主,电影创作减少、电视剧创作增多,影视产业化进程加快。但云南影视发展也存在云南本土和云南题材影视作品少,对云南重大题材挖掘不足,缺乏本土人才等问题。Before 2003, Yunnan's movie and TV series were featured by "the subject of ethnic minorities, with varying themes at different historical stages. " "The protagonists were mostly female and music songs were highlighted. " In recent years, Yunnan's movie and TV series were characterized by the introduction of external productions or the borrowing of external scenes rather than concentration on local people and scenes. Further, the shooting mode was evidently featured by "foreign directors + external actors", which produced more TV plays than movies. During this course, movie and TV have been industrialized immediately. However, the problems are obvious, with fewer productions based on the local ethnic cultures.
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