外师造化在20世纪山水画中的实践表现  

Nature Study Outside in the Twentieth Century Landscape Painting

作　　者：袁志正[1] 

机构地区：[1]商洛学院艺术系,陕西商洛726000

出　　处：《商洛学院学报》2012年第4期68-72,共5页Journal of Shangluo University

基　　金：陕西省教育厅科研计划项目(11JK0366);商洛学院科研基金项目(SKY1001)

摘　　要：随着西学东渐,西方写实主义涌入中国,从而推动了对景写生,也推动了借古开今派的"古法写生"与"师造化"传统的回归。纵观百年山水画,在"外师造化"创作理念的推动下,20世纪山水画表现题材更广泛、表现语言更丰富、地域画风进一步拓展、图式个性不断升华。With the introduction of Western learning to the East, western realism came to China, and pushed the sketch to landscape, ＂ancient painting＂ and ＂nature＂, traditional regression. Throughout hundreds years of landscape painting, in the ＂study nature outside＂ concept under the impetus of creation, performance theme is broader, language is much richer, which further expanded regional style, personality sublimation schema.

关 键 词：外师造化 20世纪山水画 实践表现 

分 类 号：G205[文化科学—传播学]