论艺术电影的隐喻性特征  

On the Metaphoric of Art Film

作　　者：刘志[1] 

机构地区：[1]山东艺术学院艺术文化学院,山东济南250014

出　　处：《新疆艺术学院学报》2012年第3期72-76,共5页Journal of Xinjiang Arts University

摘　　要：隐喻性是艺术电影的审美本体属性,这一属性是宏隐喻意义上的,镜头的局部隐喻是修辞学意义上的微隐喻。局部隐喻只有融入到影片整体隐喻之中才能实现其价值。局部隐喻体现在镜头内容和镜头形式上,整体隐喻则体现在电影叙事、主旨揭示和人物形象等方面。从形态上艺术电影的隐喻性又可分直喻、暗示、象征等。对于艺术电影隐喻性的理论分析有助于甄别艺术电影的审美价值。The local metaphor metaphoric is the ontology property of art film, and the property is on the macro level. The through scene is on the micro level on rhetoric. The local metaphoric would realize its value only if it could go into the macro sense of the film. The local metaphoric reflected on the substance and form of scene. The total metaphoric reflected on the movie narrative, the revealed theme and the characters sculpture. The metaphoric of art film could be divided into straight metaphor, suggestion and symbol. To analyze the metaphoric is useful for us to discriminate the film＇s aesthetic value.

关 键 词：艺术电影 局部隐喻 整体隐喻 

分 类 号：J905[艺术—电影电视艺术]