十三世达赖喇嘛时期中原传统艺术对西藏吉祥图案的影响——以罗布林卡金色颇章和格桑德吉颇章为例  

Influence of Chinese Tradional Arts to Tibetan Motifs during the 13^(th) Dalai Lama's Reign:An Example of Jansal Palace and Kalsang Dekyi Palace in Norbulingka

作　　者：边巴琼达 

机构地区：[1]西藏布达拉宫雪城科,西藏拉萨850000

出　　处：《西藏研究》2012年第4期88-97,共10页Tibetan Studies

摘　　要：十三世达赖喇嘛土登嘉措时期,从中原地区吸收了内容丰富、富有寓意的文化艺术元素,使西藏吉祥图案的传统崇尚意识呈现出大交流大融合的历史事态,给西藏文化艺术提供广阔的发展空间,罗布林卡金色颇章和格桑德吉颇章等木雕、壁画、器皿上绘制的吉祥装饰图案深受中原传统图案的影响。Tibet has a long history and vivid culture. The successive Dalai Lama made to the development,exchange and cooperation of Tibetan culture in different historic great contribution stages. During the 13th Dalai Lama Tubdan Gyaltso＇s reign,the Tibetan traditional culture had absorbed meaningful art elements from China's Mainland. It not only enhanced the development of Tibetan traditional motifs,but also expanded the scope of Tibetan culture and arts. By using a lot of wood carvings,wall paintings and drawing motifs on the utensil from Jansal Palace and Kalsang Dekyi Palace in Norbulingka,the paper explains the history background of the development of Tibetan arts and the origin of Tibetan auspicious motifs during the 13th Dalai Lama. Moreover,the paper introduces the key idea how the Chinese tradition-al arts have influenced the Tibetan arts.

关 键 词：十三世达赖喇嘛 中原艺术 西藏吉祥图案 影响 

分 类 号：J509.2[艺术—艺术设计]