乐府文学研究中的“音乐视角”  

The "Musical Perspective" in the Yuefu Study

作　　者：王志清[1] 

机构地区：[1]吉首大学文学与新闻传播学院,湖南吉首416000

出　　处：《西北大学学报（哲学社会科学版）》2012年第4期52-56,共5页Journal of Northwest University：Philosophy and Social Sciences Edition

基　　金：国家社会科学基金项目(09CZW023)

摘　　要：乐府研究的"音乐视角"取决于乐府艺术、乐府文学的"音乐性"。"音乐视角"的研究目的在于从音乐的角度揭示乐府文本形态的成因。"音乐视角"既包括与曲调的产生、特点、流传相关的内部音乐要素,也包括宫廷音乐建设、音乐消费风尚、音乐观念等外部音乐文化因素。乐府音乐与文学的一般关联体现在六个方面,涵盖了从乐府文学创作机制、创作过程到流传演变等各个环节。乐府"音乐视角"的学术总结,有益于"乐府学"的规范开展。＂ Music perspective＂ depend on the music of Yuefu. ＂Musical perspective＂ aims to reveal the Yuefu poem from a musical point. ＂ Musical perspective＂ includes not only the generation, characteristics of the tunes, which belong to internal music ; but also the construction of court music, music consumption, fashion, music ideas, which belong to external cultural factors. Yuefu music associationing with yuefu poem is reflected in the six areas, covering literature from the mechanism of verse, the creative process to the evolution of various aspects of spread. The ＂musical perspective＂ of the yueFu benefits the specification development of the ＂Yuefu Xue＂.

关 键 词：乐府文学 乐府音乐 音乐视角 内部音乐视角 外部音乐视角 

分 类 号：I206.2[文学—中国文学]