试论魏尔伦诗歌美学思想的形成与演变  

Formation and Evolvement of Verlaine's Poetic Aesthetics

作　　者：户思社[1] 

机构地区：[1]西安外国语大学欧美语言文学研究中心,陕西西安710061

出　　处：《外语教学》2012年第5期77-81,共5页Foreign Language Education

摘　　要：魏尔伦诗歌美学思想的形成和演变经历了几个不同阶段,从初期对情感表达的浪漫派诗歌主张的认同,到对帕纳斯派希望表达物象线条美、轮廓美主张的推崇,魏尔伦始终没有放弃的是诗歌对心灵的咏唱,是对词语音乐性的诗歌美学思想的探索和挖掘,词语或表达情感,或寄情物象,或独立存在,说明魏尔伦诗歌美学思想在不同阶段的变化,这种演变过程值得研究和思考。Verlaine＇ s poetic aesthetics has undergone several stages in development since its formation. From his earlier acceptance of the Romantic poetic views to his later advocacy of the Parnassienss idea of expressing the linear and shapely beauty of images or objects, Verlaine has never given up the ideal of poems singing to one ＇ s heart and the search for poetic aesthetics about the musical rhythm of words. The words, expressing emotions, conveying feelings on images, or standing alone, all embody the change of Verlaine＇ s poetic aesthetics in different periods. Therefore, it is of great value to study the process of such change.

关 键 词：魏尔伦 诗歌 美学思想 形成 演变 

分 类 号：I565.072[文学—其他各国文学]