论海州区域文化的边际性和边缘性特征  

The Marginal and Peripheral Nature of Haizhou Regional Culture

作　　者：李传江[1,2] 

机构地区：[1]扬州大学文学院,江苏扬州225009 [2]连云港师专初教系,江苏连云港222006

出　　处：《中国海洋大学学报（社会科学版）》2012年第4期110-113,共4页Journal of Ocean University of China(Social Sciences)

基　　金：感谢2010年连云港市社会科学基金(10LKT12)

摘　　要：处于内陆文化与海洋文化、外来文化与中原文化以及中国南北文化交界的海州地域文化,表现出明显的边际文化特征。相对于历史时期的其它主流文化而言,海州远离政治经济文化中心,其文化又表现出边缘性特征。这种边际性、边缘性的文化特征,使得海州当地长期居主导地位的是一般知识与思想,文化层面也明显表现为俗文化为主,而当地的传统文学样式,也多神奇怪诞的民间叙事文学,进而影响了《镜花缘》、《西游记》等明清小说的创作。At the junction of inland and maritime culture, foreign and Central Plains culture, and North and South of China culture, Haizhou local culture had a significant marginal cultural feature. As op- posed to the other mainstream culture in the historical period, Haizhou was far away from the political, e- conomic and cultural center of the state, and therefore its culture showed the peripheral characteristics. This marginal and peripheral cultural nature made Haizhou a long--term domination of general knowledge and ideas, so its culture featured popular culture. As the local traditional literary style, Haizhou regional culture was characterized by magic weird folk narrative literature, which then influenced the Ming and Qing novels such as Flowers in the Mirror and Journey to the West.

关 键 词：边际文化 民间叙事文学 海州 

分 类 号：G112[文化科学]