疯癫:文化的反叛和文化的拯救——20世纪中期美国小说中的青年形象  

Madness:Rebellion Against and Salvation of Culture——Youth Images in the Mid-20th Century American Novels

作　　者：蒋天平[1] 

机构地区：[1]南华大学外国语学院,湖南衡阳421001

出　　处：《西南石油大学学报（社会科学版）》2012年第5期88-92,共5页Journal of Southwest Petroleum University(Social Sciences Edition)

基　　金：湖南省哲学社会科学基金项目<二战后美国文学和文化中的男性气质研究>(09YBB345);湖南省教育厅优秀青年项目<资本主义现代性下的非理性体验--战后二十年美国小说中的疯癫研究>(11B109);南华大学社科基金项目<神圣的疾病--二十世纪中期美国文学中的疯癫>(2010XSJ04)

摘　　要：20世纪50、60年代美国青年经历了"沉默一代"和"反叛时代",他们追求自我、本能体验和社会反叛,疯癫构成三者间的共同特性,但各群落所负载的"疯癫"有不同内涵。本文试图从文化的角度分析神经症人群、垮掉一代和嬉泼斯特等三类青年群体,厘清三者在表征、价值观念和命运之间的联系和衍变,同时挖掘他们疯癫背后的文化内涵及差异,并发现疯癫概念的内在演化过程。The 1950＇ s and 1960＇ s in America are known as the Silence Era and the Rebel Era. The youth in those times can be grouped into those with neurosis and in pursuit of selfness ,the ＂beat generation＇emphasizing instinc- tive experiences and hipsters who rebel against the society through their queer behaviors. They share the character- istics of ＂madness＂,while the madness each group bears is different in connotation. From a cultural perspective, this paper makes an analysis of the three groups and studies the connections and evolution of their attributes, values and destinies. Also, the author explores the cultural meaning and difference behind their madness, and the internal evolution of the concept of ＂madness＂.

关 键 词：疯癫 自我 垮掉一代 嬉泼斯特 

分 类 号：I106.4[文学—世界文学]