从工尺谱本《养正轩琵琶谱》与《汪昱庭琵琶谱》看浦东派和汪派琵琶艺术的审美差异性  

On Aesthetic Differences in the Pipa Arts of Pudong School & Wang School from Two Gongche-scores of the Pipa

作　　者：吴慧娟[1] 

机构地区：[1]福州大学人文学院,福建福州350108

出　　处：《星海音乐学院学报》2012年第3期93-99,共7页Journal of Xinghai Conservatory of Music

基　　金：2011年国家社科青年基金项目"二十世纪中国琵琶音乐研究"(11CD102)

摘　　要：乐谱是记载乐曲的工具,也是音乐艺术特征的载体。不同版本的曲谱在很大程度上代表着不同流派的艺术风貌。《养正轩琵琶谱》与《汪昱庭琵琶谱》是浦东派和汪派较有代表性的乐谱。文章旨在通过对这两个乐谱的比较、分析,探讨琵琶流派的审美差异性。Music score is not only a tool for recording music, but also a carrier of the artistic characteristics of music. Different versions of music to a great extent represent artistic style of different schools. Yang - Zheng - Xuan Pipa Score and Wang Yuting Pipa Score are two representative musics of the Pudong school and the Wang school. Based on the comparison and analysis of the two music scores, the paper discusses the aesthetic differences of Pipa schools.

关 键 词：《养正轩琵琶谱》 《汪昱庭琵琶谱》 琵琶流派 审美差异 

分 类 号：J632.33[艺术—音乐] J613.2