20世纪中国小说长女形象的文化心理透视  

Images of the Eldest Daughters:Bitter Souls in the Conflict between the Body and the Soul——An Analysis of the Eldest Daughters'Cultural Psychology in the 20th-century Chinese Fiction

作　　者：赵德利[1] 

机构地区：[1]宝鸡文理学院中文系

出　　处：《社会科学》2012年第10期176-182,共7页Journal of Social Sciences

基　　金：国家社科基金项目"民间文化批评的理论与方法"(项目批准号:11FZW053)的阶段性成果

摘　　要：20世纪的中国小说中塑造了一系列具有典型意义的长女形象。这些长女既具有长子的家族责任意识,又兼具女性的文化心理特征。20世纪中国小说中的长女可以分为女人、女巫形象两类。女人既有善良美好的天性,又具有长子责任带来的矛盾弱点,情与理两相纠葛之下难逃悲命;女巫则心理畸变,既孤独怪异,又兼具报复心,是灵与肉双重欲求冲突中的苦魂。长女的文化心理表现在长女之"长"所展示的家族责任的承担和个人利益的牺牲,长女之"女"则表现出对女性身份的认同与归属。There is a series of typical images of the eldest daughters in the 20th - century Chinese fiction. These eldest daughters have not only family responsibility that the eldest sons usually take, but also women＇ s cultural and psychological characteristics. The eldest daughters in the 20th - century Chinese novel can be divided into two types, namely, women and witches. Women are innately kind - hearted and good, but show some contradictions and weaknesses brought about by the eldest children＇ s responsibility, so they are usually in the dilemma between emotion and reason and live a tragic life. Witches are psychologically abnormal, lonely, weird and likely to seek revenge, and they are bitter souls in the conflicts between the body and the soul. The cultural psychology of the eldest daughters is manifested in two aspects： first, their being ＂the eldest＂ requires family responsibility and sacrifice of their individual interests; second, their being ＂women＂ reveals their female identity and sense of belonging.

关 键 词：长女形象 女人 女巫 文化心理 

分 类 号：I206.7[文学—中国文学]