白居易古琴诗研究  

A Research on Bai Ju-yi's Guqin Poetry

作　　者：肖占鹏[1] 邓婷[1] 

机构地区：[1]天津南开大学文学院,天津300071

出　　处：《天津师范大学学报（社会科学版）》2012年第5期46-50,共5页Journal of Tianjin Normal University(Social Science)

基　　金：国家古籍整理出版专项经费资助

摘　　要：白居易是文学与音乐兼善的唐代士大夫,他的古琴诗不仅展现了当时音乐的发展状况,还反映了中唐时期作者先进的文艺思想和复杂的情感流变。由于古琴音乐性与人文性的双重属性,白居易的古琴诗折射了他的文学思想与音乐思想,反映了他的文学观念,体现了他从携琴以入世的功利主义思想到抱琴以退隐的超功利主义思想的转变,而这一点也是中唐时期文人思想转变的总体特征。As a famous scholar-bureaucrat in the Tang Dynasty who is expert in poetry and music, Bai Juyi＇s Guqin poetry reflecting both Tang musical trends and sophisticated thought. According to the dual nature of music and human characteristics in Guqin, Bai Ju-yi＇s Guqin poetry is a perfect medium to communicate between his literary ideas and his musical thought which gives evidence of his advanced literary ideology. His view is the embodiment of Bai Ju-yi＇s complex emotions, the emotional ups and downs from his earlier earthly utilitarian thought with Guqin music to his later sequestered super-utilitarian thought by enjoying playing Guqin alone, which is actually the thought change of the scholars＇ sentiments in mid-Tang Dynasty.

关 键 词：白居易 古琴诗 中唐时期 超功利主义 

分 类 号：I207.22[文学—中国文学]