本色的沿承与深化:孝宗时期的艳情词  

Inheritance and Development of True Qualities of Ci Poetry:Traditional Love Ci Poems during Emperor Xiaozong's Reign of Song Dynasty

作　　者：陈丽丽[1,2] 

机构地区：[1]河南大学文学院 [2]中国人民大学国学院

出　　处：《南京师大学报（社会科学版）》2012年第5期131-138,共8页Journal of Nanjing Normal University(Social Science Edition)

摘　　要：词发展至南宋孝宗时期,由于词体地位的提高以及表现功能的扩大,创作数量上呈现出高度繁荣,主题、风格也产生了显著转变。与北宋相比,最具词体本色特质的艳情词在这一时期从词坛顶端跌落,创作比重明显减少;词人在描写和表达男女情感时普遍呈现出雅化、内敛的倾向;此外还集中出现了普通组词、转踏、大曲等形式的咏妓联章之作。这些新变,既符合文体发展的基本规律,又体现了独特的时代风貌。In Emperor Xiaozong＇s Reign of the Song Dynasty, due to the rise of its literary position and the expansion of its function, ci poetry flourished not only in number but also in theme and style. Compared with the Northern Song Dynasty, this period witnessed a sharp decline in the creation of love poems which best embody the true qualities of ci poetry. The poets then were generally inclined to be more elegant and reserved when describing love in their poems. Additionally, there appeared such forms of love ci poems as general zuci （组词, the uni-topic ci poems）, zhuanta （转踏, shift-singing）, and daqu （大曲, literally great song）. This is the result of the stylistic and generic development of ci poetry and also reflects the unique ethos of that period

关 键 词：孝宗 艳情词 衰减 雅化 

分 类 号：I207.23[文学—中国文学]