《四声猿》的双层结构及其解读  

The Double Structure of Si Sheng Yuan and Its Interpretation

作　　者：何平[1] 

机构地区：[1]东南大学人文学院,江苏南京210018

出　　处：《南京师范大学文学院学报》2012年第3期91-96,共6页Journal of School of Chinese Language and Culture Nanjing Normal University

摘　　要：《四声猿》不是一个故事,而是四个剧构成的一个整体结构。《四声猿》单剧结构表现人生围困的绝望之悲,整体结构隐含反抗绝望,生命突围的努力。这一双层结构源于徐渭内心自负与现实被弃之间的冲突,表露了作者自我安慰、自我脱困的深层心理。这显示《四声猿》创作对作者具有某种自我解困的文化意义。这个理解切合徐渭三教融合,以儒为主的思想结构,也解释了四剧之间情感基调冲突的原因。Si Sheng Yuan is not just one story, it＇ s a whole structure composed of four plays. While each single play expresses the desperate tragedy of the predicament of human life, the whole structure implies an effort of fighting and breaking through the predicament. This double structure was originated from the conflict between Xu Wei＇ s internal arrogance and his being abandoned in reality, expressing his psychology of self consolation and self salvation. This indicates that the creation of Si Sheng Yuan has some culture significance of self redemption to the author. This interpretation is also consistent with Xu Wei＇ s though of integrating three religions with the major role of Confucianism, it also explains the conflicts among the feeling tones in the four plays.

关 键 词：徐渭 《四声猿》 结构 

分 类 号：I207.3[文学—中国文学]