元稹艳诗与悼亡诗中女性形象透视——结合唐代士大夫婚姻观念展开  

The Perspective for the Female Image in Yuan Zhen's Erotic Poems and Mournful Poems——Combination of Tang Dynasty Literati's Ideas of Marriage

作　　者：沈文凡[1] 左红杰[1] 

机构地区：[1]吉林大学文学院,吉林长春130012

出　　处：《吉林师范大学学报（人文社会科学版）》2012年第5期9-12,共4页Journal Of Jilin Normal University:Humanities & Social Science Edition

基　　金：国家社会科学基金项目"排律文献研究"(编号:06BZW022);吉林大学研究生核心课程建设项目"唐宋韵文学史研究"(编号:20102231)

摘　　要：元稹艳诗与悼亡诗代表了他诗歌的重要成就,从在某种意义上来讲,是中唐文学转型的标志之一。艳诗中的女子形象与悼亡诗中的妻子形象,是两类相异的女子形象,寄托作者不同的感情,甚至二难选择,体现出元稹情感与理智的冲突,也在一定程度上表现了唐代士大夫的婚姻观念。他们在婚姻、爱情与仕宦的漩涡中痛苦挣扎,无法找到摆脱困境的出路,只能寄托于诗歌创作中:对妻子永恒与对情人永恒和满足之感,在理想与现实之间完美地保持了平衡。Yuan Zhen＇s erotic poems and mournful poems represent his poetic achievements. In a sense, they are one of the hallmarks of Middle Tang Dynasty＇s literature transformation. The image of the woman in the erotic poems and the image of wife in the mournful poems are two different kinds of female images. They place different feelings even the dilemmatic choice. They reflect the conflict in emotion and reason of Yuan Zhen and they also demonstrate the literati＇s marriage concept in the Tang Dynasty to some extent. They struggle in the whirlpool of marriage, love and career but could not find a way out of the predicament. So they can only place on the creation of poetry： the wife is eternal and the lover is forever and content. They are in perfect balance be- tween ideal and reality.

关 键 词：元稹 艳诗与悼亡诗 女性形象与士大夫形象 婚姻观念 二难选择 

分 类 号：I206.2[文学—中国文学]