称心而出,如题所止——从《四婵娟》看洪升的女性意识及其晚年的创作心理  

Representation of his Mind the Way his Work Followed——A View of Hong Sheng's Female Consciousness and Writing Psychology in his Late years in Terms of The Four Learned Ladies

作　　者：高益荣[1] 

机构地区：[1]陕西师范大学文学院,陕西西安710062

出　　处：《陕西师范大学学报（哲学社会科学版）》2012年第5期76-80,共5页Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)

基　　金：国家社会科学基金项目(07XZW013)

摘　　要：《四婵娟》是一组写心杂剧,作者借谢道韫、卫茂漪、李清照和管仲姬四位历史上的才女以抒自己的心魂,对女性作出了不同传统观念的评价,突出其超乎男性的才识,赞颂了以真情为内核的夫妻平等互爱的美满的新型婚姻家庭观,表现出洪升具有现代意义的女性意识,由此亦可揣摩到洪升晚年的创作心理。The Four Learned Ladies was a series of mind-revealing poetic drama. By telling stories of the four learned ladies in Chinese history, Xie Daoyun, Wei Maoyi, Li Qingzhao and Guart Zhongji, the playwright ex- pressed his anti-traditional personal evaluation about women. In the plays, he highlighted the female characters＇ men-transcending talent and ability and sang praise of the new view of marriage and family which advocated tree- love-based marriage and equality between man and wife, which showed that Hong Sheng the playwright possessed a female consciousness of modem sense. From the above-mentioned, we can surmise Hong＇ s writing psychology in his late years.

关 键 词：《四婵娟》 洪升 女性意识 创作心理 

分 类 号：I207.37[文学—中国文学]