巴托克与《雾中的旋律》——《小宇宙》第107首和声分析  

Bartok and Melody in the Mist——An Analysis of the Hundred and Seventh Harmony of Micro Cosmos

作　　者：郭海霞[1] 

机构地区：[1]晋城职业技术学院,山西晋城048026

出　　处：《晋城职业技术学院学报》2012年第5期71-73,共3页Journal of Jincheng Institute of Technology

摘　　要：本文从巴托克的生平、创作阶段、《小宇宙》的创作出发,对其《小宇宙》的第107首作品《雾中的旋律》做了具体的和声分析。巴托克这种在横向旋律中获取纵向和声因素的多声部音乐思维,是二十世纪多声部音乐创作在传统基础上把横向思维和纵向思维相结合的新的和声思维方式。既是反传统的,同时又是传统的延伸。Based on his life, creation period and the creation of his representative work Micro Cosmos, this article makes a detailed harmony analysis on Bartok＇s 107th works the Melody in the Mist of the Micro cosmos. Bartok＇s new idea of obtaining vertical cantus from horizontal cantus was a new thought of harmony in the twentieth century that creatively combined the horizontal and vertical harmony on the traditional basis. This new pattern was both unconventional and beyond tradition.

关 键 词：垂直 纵向陈述 水平 横向陈述 

分 类 号：J60[艺术—音乐]