“五四”以来南方民族文学的话语建构及其嬗变  

Discourse Construction and Its Evolution of Southern National Literature since the May Forth Movement

作　　者：吴道毅[1] 

机构地区：[1]中南民族大学文学与新闻传播学院,湖北武汉430074

出　　处：《北方民族大学学报（哲学社会科学版）》2012年第5期73-79,共7页Journal of North Minzu University(Philosophy and Social Science)

基　　金：国家社会科学基金项目"‘五四’以来南方民族文学话语建构及其对民族文化建设的贡献"(12BZW129)

摘　　要：在"五四"以来的近百年历史中,南方民族文学的话语建构经历了三个重要的发展阶段,发生了两次大的嬗变。20世纪20至40年代,南方民族文学呈现启蒙话语、民族话语、阶级话语与救亡话语的多重变奏,并开启了现当代南方民族文学的主要主题模式。到了20世纪50至1970年代,南方民族文学的话语建构发生了重大变化,主要表现为阶级话语成为主导性话语,民族话语以隐形文本结构保留在阶级话语的显形文本结构之下。进入新时期以后,南方民族文学既参与改革开放主流话语的建构,又寻求多元化的发展路径,形成了主流话语与民族话语、先锋话语、女性话语的多声部合唱。In nearly a hundred years of history since the May Fourth Movement, the Discourse Con- struction of the Southern National Literature experienced three important stages of development, and oc- curred two major transmutation. In the 1920s to 1940s, the Southern National Literature shows multiple variations of enlightenment discourse, national discourse, class discourse and salvation discourse, with o- pening main theme the types of the modern and contemporary Southern national literature. In 50 ~ 70 years of the 20th century, the Discourse Construction of Southern ethnic Literature took place great chan- ges, while class discourse become the dominant discourse, the ethnic discourse is under the visible struc- ture of the text of class discourse in forms of invisible structure of the text. After new period, the Southern National Literature participate positively in the construction of the mainstream discourse of reform and o- pening up, seek diversified development path, form the chorus of multiple-voices of mainstream discourse, ethnic discourse, pioneer discourse and female discourse.

关 键 词：民族文学 南方民族文学 中国现当代文学 话语建构 

分 类 号：I207.9[文学—中国文学]