主流意识形态化和大众娱乐化的交汇渗透与建构塑型——论现实题材电视剧叙事语境的嬗变及其审美现代性意义  

The Infiltration and Molding between the Mainstream Ideology and the Mass Entertainment——on the Transmutation of Narrative Contexts in TV Series with Realistic Themes and its Meaning of Aesthetic Modernity

作　　者：彭文祥[1] 

机构地区：[1]中国传媒大学党委校长办公室,北京100024

出　　处：《湖南大学学报（社会科学版）》2012年第5期156-160,共5页Journal of Hunan University(Social Sciences)

基　　金：教育部人文社科研究规划项目<跨文化语境中的影视艺术传播研究>(10YJA760036)阶段成果;教育部"新世纪优秀人才支持计划"<当代中国影视艺术的民族性研究>(NECT-11-0718)阶段成果

摘　　要：改革开放以来,随着当代中国社会的历史性转型,现实题材电视剧在其叙事语境方面呈现出显著的现代性嬗变,形成了"主流意识形态化"与"大众娱乐化"交汇渗透、建构塑型的新格局。文章结合电视剧艺术创作实际,从学理的层面考察和分析其叙事语境现代性嬗变的内在情形及其审美现代性意义。Since reforming and opening-up, with the historic transition of contemporary China society, TV series with realistic themes have shown a significant modernistic transmutation of their narrative contexts, forming the new structure, which is about the infiltration and molding between ＂the mainstream ideology＂ and ＂the mass entertainment＂. Combined with the actual circumstances of artistic creations, this article investigates and analyses the internal situations and its meaning of aesthetic modernity from the doctrinal aspect.

关 键 词：现实题材电视剧 叙事语境 主流意识形态化 大众娱乐化 审美现代性 

分 类 号：J90[艺术—电影电视艺术]