试论白族密宗阿吒力教在保山香童戏中的遗迹  

Influences of Bai Esoteric Buddhism A Zha Li Religion on Baoshan Xiangtong Play

作　　者：陈丽萍[1] 

机构地区：[1]保山学院人文学院,云南保山678000

出　　处：《保山学院学报》2012年第4期40-44,共5页JOURNAL OF BAOSHAN UNIVERSITY

摘　　要：保山香童戏,从功用、庙坛组织的形式和神祇的崇奉内容看,都与白族佛教密宗阿吒力有相似、相通的关系,且史实证明,唐至元代,保山占支配地位的主体民族是白族,占支配地位的宗教是白族佛教密宗阿吒力教,因此,我们有证据说,白族佛教密宗阿吒力教对保山香童戏有着较为深刻的影响。Baoshan Xiangtong Play is closely connected with .the Bai Esoteric Buddhism A Zha Li Religion in its beliefs, organization, and worships. From Tang Dynasty to Yuan Dynasty, Bai nationality was the most powerful ethnic group in Baoshan, with its mainstream religious belief-- the Esoteric Buddhism A Zha Li. As a result, the religion left a huge impact on Baoshan Xi- angtong Play.

关 键 词：香童戏 白族 佛教密宗阿吒力 影响 

分 类 号：K297.4[历史地理—历史学]