论《破戒》的文学倾性  

On Literary Tendency of Precept Breaking

作　　者：张剑[1,2] 

机构地区：[1]湖南科技学院外语系,湖南永州425100 [2]华中师范大学,湖北武汉430079

出　　处：《湖南科技大学学报（社会科学版）》2012年第5期129-132,共4页Journal of Hunan University of Science and Technology(Social Science Edition)

基　　金：湖南省哲学社会科学基金资助(11WLH22)

摘　　要：《破戒》作为日本自然主义文学的代表作,译入中国已有50多年,但是中国学界在很长时间里都把《破戒》当做现实主义文学来看待。小说自身表现出了"无理想,无解决"的叙事逻辑,使用了"内心告白"以及去典型化的手法,并流露出"觉醒者的悲哀"和环境决定论思想。无论从叙事形式还是思想内涵上,《破戒》当属自然主义作品。As the representative of Japanese naturalism literature, Precept Breaking was translated and introduced to China about 50 years ago. But the Chinese academic circle has regarded Precept Breaking as the realism literature for a long time. The novel itself has shown a narrative logic of ＂no ideal, no solution＂, employing ＂mental revealing＂ and non-classical methods and exposing the ＂melancholy of the awakened＂ and environment fatalism. Whether from narrative or from thematic perspective, Precept Breaking falls in the category of naturalism.

关 键 词：《破戒》 岛崎藤村 自然主义 现实主义 

分 类 号：I106[文学—世界文学]