论《埃涅阿斯纪》史诗中的艺术雕刻  

On the Aeneid of Art Sculpture

作　　者：贾秀堂[1] 丁瑶[2] 

机构地区：[1]华东师范大学社会科学部,上海200241 [2]南京大学文学院,江苏南京210032

出　　处：《新疆大学学报（哲学社会科学版）》2012年第4期135-139,共5页Journal of Xinjiang University(Philosophy and Social Sciences)

摘　　要：《埃涅阿斯纪》是西方最早的人文史诗之一,是后人了解早期古罗马历史的重要文献。但作者维吉尔无意于"秉笔直书"这一千多年的历史,而是希望通过主人公埃涅阿斯的经历赞扬罗马历代祖先们英雄顽强的精神和崇高的道德品质,文章解析了维吉尔用雕刻艺术的方式处理神谕中的罗马史的别具匠心,并通过与荷马史诗中的艺术雕刻的表现形式进行比较,解构史诗中艺术雕刻的作用。the Aeneid is one of the earliest epics on humanity and the important document to learn about the early ancient Roman history. Virgil, the writer, did not intend to get down the over 1000 year history but hoped that the experience of the protagonist, Aeneid, could eulogize the heroic tenacity and moral loftiness of the ancient Roman forefathers. Meanwhile, he proved the holiness of the Roman imperial power via the prophecy of the divinities. This paper interprets Virgil＇s ingenuity of manifesting the prophesied Roman history by using the sculptural method. Making a contrast of the expressions of the artistic sculpture in Homer epics, it Interpret the artistic scultpture in the epic.

关 键 词：《埃涅阿斯纪》 古罗马雕刻 人文史诗 

分 类 号：G09[文化科学]