殉道殉情完世业,依新依旧共诗神——论吴宓的诗歌批评观  

Finishing the Undertaking from the Combination of Sense and Sensibility, Construsting the poetic soul from the Integration of the New and the Old——The study of Wu Mi' s thought about poetic criticism

作　　者：孙媛[1,2] 

机构地区：[1]吉林大学文学院,吉林长春130023 [2]漳州师范学院中文系,福建漳州363000

出　　处：《上海大学学报（社会科学版）》2012年第5期108-119,共12页Journal of Shanghai University(Social Sciences Edition)

基　　金：教育部哲学社会科学研究后期资助项目(11JHQ048)

摘　　要：在吴宓的诗歌批评观念中,"情"与"道"的关系不是相互对立和矛盾的,而是相辅相成、圆融会通的;诗歌形式成功与否,不以新旧而论,关键是要具备韵律格调之美。用今天的眼光来看,在主张恣肆奔放地宣泄情感及展示个性的白话新诗运动和"诗体大解放"主张占据了主导地位的中国现代诗歌的发展过程中,吴宓的诗歌批评观念展现了20世纪上半叶中国诗坛在白话诗理论主流之外的另一诗论倾向,在客观上给中国新诗的现代发展提供了另一种可供选择的可能性。This essay elaborates Wu Mils poetic criticism. According to Wu Mils poetry ideals, firstly , the relation between sensibility and sense isn＇t contradictory, but supplement each other;secondly, the standard of the external form of poetry＇s characteristics isn＇t ＂new＂ or ＂old＂, but the beauty of poetic rhythm. In the Chinese modern poetry development course during which the feelings and individuality were overemphasized, Wu Mi＇s poetic thought showed another tendency of literary criticism besides the free verse written in the vernacular. Objectively, Wu Mi＇s poetic thought provided the Chinese new poetry development with another selection.

关 键 词：吴宓 诗歌 情与道 新与旧 

分 类 号：I206[文学—中国文学]