萧红散文的“越轨”叙事  

On the "Transgression" Narration of Xiao Hong's Prose

作　　者：刘钊[1] 

机构地区：[1]长春师范学院汉语言文学学院,吉林长春130032

出　　处：《东北师大学报（哲学社会科学版）》2012年第5期140-143,共4页Journal of Northeast Normal University(Philosophy and Social Science Edition)

基　　金：吉林省哲学社会科学基金项目(2009B166)

摘　　要：萧红小说具有诗化、散文化特征已是研究界公认的结论,其散文的"小说化"却少有人论及。本文以叙事学理论方法,从散文叙述的时间性、人物形象刻画和叙述人称三方面,重点分析了萧红散文的代表作,阐述了鲁迅对萧红创作"越轨的笔致"评价中所包含的"文体无意识"内涵,指出应避免因文类划分而割裂对萧红创作风格的整体探究。It is well known that Xiao Hong＇s novels are characterized with poetry and prose,but as for the ＂fiction side＂ of her prose few have been dealt with. Based on the theories and methods of narrative the thesis mainly analyzes Xiao Hong＇s representative prose works from narrative time, images of characters and narrative point of view. It also illustrates the connotation of ＂style unconsciousness＂ of Xiao Hong＇s writing in the words of Lu Xun＇s comment and it points out that we should avoid the organic whole study of Xiao Hong＇s style due to the division of genre.

关 键 词：萧红 散文 叙事 文体 

分 类 号：I206.6[文学—中国文学]