越南对漆画艺术的保护与发展——以河内为中心的探讨  

The Protection and Development of the Vietnamese Lacquer art-Hanoi for Example

作　　者：梁小贞 杨健 何振纪[3] 

机构地区：[1]广州艺术博物院,广东广州510095 [2]广州市文化馆,广东广州510095 [3]中国美术学院设计艺术学系,浙江杭州310024

出　　处：《中国生漆》2012年第3期24-28,共5页Journal of Chinese Lacquer

摘　　要：中国作为世界上生漆产量最大的国家同时也拥有悠久而灿烂的漆艺历史。数千年来,中国有着优秀的漆画艺术传统,然而,自进入现代以来,邻国越南在漆画艺术方面迅速发展并且领先于中国。本文尝试以河内为例分析越南漆画艺术的发展经验,以期为我国漆画艺术的发展提供些许参考。China is a big country where also the largest origin of lacquer material and has a long and rich history on lacquer art. However, the modem lacquer painting has been developing in Vietnam more pros- perous than China in the modem time. Lacquer painting art also has a good tradition in China in the last thousands years, this article is trying to find out some inspiration from the Vietnamese experience for the better development on modem Chinese lacquer painting.

关 键 词：越南 漆画 保护 发展 

分 类 号：J213.9[艺术—美术]