青海撒拉族宗教音乐形态研究  

A Study of Qinghai Salar Religious Music Morphalogy

作　　者：王海龙[1] 

机构地区：[1]青海师范大学音乐系,青海西宁810008

出　　处：《青海师范大学学报（哲学社会科学版）》2012年第4期122-124,共3页Journal of Qinghai Normal University(Philosophy and Social Sciences Edition)

基　　金：教育部人文社会科学规划基金项目(11YJA760070)

摘　　要：撒拉族是信奉伊斯兰教的民族,同其他穆斯林民众一样,在长期的生活、生产实践中,以《古兰经》、《圣训》为指导原则和文化载体。历史上,撒拉族在与我国西北其他少数民族和谐相处、交流互动过程中,在借鉴汉族和其他民族文化的同时,保持了自身独特的民族性。撒拉族宗教音乐就是其独特民族文化的一种具体表现形式。本文对青海循化撒拉族宗教音乐形态及特点进行分析研究,以期对伊斯兰音乐有一个初步的了解与认识。The Salar is a Muslim nation, with other Muslim people, in the long--term life, production practice, the Koran, the Hadith as guiding principles and the carrier of culture. Salar in history to get a- long with other Northwest China minority harmonious interaction process, learn from the Han people and other cultures at the same time, maintaining their own unique national character. Salar religious music is a unique national culture of a specific form of expression. Analysis on the shape and characteristics of Qing-hai Sala religious music, have an initial understanding and awareness of Islamic music.

关 键 词：撒拉族 宗教音乐 形态 

分 类 号：J608[艺术—音乐]