试论北宋宫廷花鸟画与民间花鸟画的互动——以易元吉绘画为例  

Discussion on Interaction of Court Flowers and Birds Painting and Folk Flowers and Birds Painting in the Northern Song Dynasty——Case Study on Painting of Yi Yuanji

作　　者：胡友慧[1] 

机构地区：[1]长沙学院艺术系,湖南长沙410003

出　　处：《湖南人文科技学院学报》2012年第5期79-83,共5页Journal of Hunan University of Humanities,Science and Technology

摘　　要：宋代宫廷花鸟绘画承袭五代余绪,以"富贵"为特色的黄氏绘画流派为宫廷主流,以"野逸"为风格的徐氏绘画流派主要流行于民间,但两种风格的绘画在宫廷绘画实践中已有妥协互动趋势。活动于北宋中期的长沙艺人易元吉,既是一位优秀的民间画师,又曾征召入宫廷绘画,开创了宫廷花鸟绘画与民间花鸟绘画成功互动的典范。北宋时期我国传统绘画艺术达到极高的艺术成就与这种艺术上的不同流派之间的互动有着密切的关系。Court flowers and birds painting in the Song Dynasty Inherited over five generations＇ thread. The ＂rich＂ as Huang＇ s painting style is the mainstream court school, the ＂Ye Yi＂ as Xu＇ s painting style is popular in folk. But the two styles of painting in the palace painting practice has been to compromise interaction trend. Yi Yuanji, a Changsha artist acting in the mid Northern Song Dynasty, was an excellent folk artist, had also been recruited into the palace painting. He created the successful typical example for the interaction of the court painting and the folk painting about flowers and birds. China＇ s traditional art of painting reached a high artistic achievement in the Northern Song Dynasty and the artistic interaction between the different schools had a close relationship.

关 键 词：宫廷画 民间画 互动 易元吉 

分 类 号：J205[艺术—美术]