论光线在油画中的运用和表现  

On the Use and Expression of the Light in the Painting

作　　者：马建丽[1] 

机构地区：[1]山西广播电视大学,山西太原030027

出　　处：《山西广播电视大学学报》2012年第4期41-43,共3页Journal of Shanxi Radio & TV University

摘　　要：光照的现象与我们日常生活密不可分,同时与人们的心理情感和生理反应都有着密切的联系,人的视觉更离不开光线。在西方油画绘画发展史中,写实性的绘画风格基于对光照物理现象的表现,而到了现代派绘画时非写实性的绘画看起来似乎没有光线照射,但是仔细观察就会发现,光照仍然对画面中的造型、色彩和空间起着作用,只不过这种作用相对于写实性绘画已经呈减弱了的状态。西方艺术是特别重视光照的艺术,它每一个阶段的发展与艺术家对光线认识的发展是不可分的。The phenomenon of light is inseparable from our daily life, meanwhile, is linked with people＇s psychology and physiology, and human vision is more without light. In the western oil painting, the style of realistic painting is based on the physical phenomena of light, when to the modernist painting, nonrepresentational painting seems to be no light, but by careful observation, we will find that light still plays a role in the shape, color and space, only this effect relative to the realistic painting has a weakened state. Western art is paid special attention to the art of light, and each of its developing stage is inseparable from artists＇cognition to the development of light.

关 键 词：光线 油画 运用 表现 

分 类 号：TQ174[化学工程—陶瓷工业]