《武则天秘史》影评:从历史真实到影视真实  

Review on Wu Zetian’s Anecdotes: from historical reality to film and television reality

作　　者：张祖群[1] 

机构地区：[1]首都经济贸易大学工商管理学院,北京100070

出　　处：《青岛科技大学学报（社会科学版）》2012年第3期108-114,共7页Journal of Qingdao University of Science and Technology(Social Sciences)

基　　金：国家社会科学基金青年项目(12CJY088);北京市哲学社会科学规划项目(06BaZh042);北京市属高等学校人才强教深化计划(PHR201108319);北京市高等教育学会"十二五"高等教育科学研究规划课题(BG125YB012)

摘　　要：2011年年底电视剧《武则天秘史》走红之后,武则天及唐代宫廷历史为人们所高度关注。作为一种大众娱乐现象,这非常值得研究。唐代的大气磅礴在武则天时期表现得特别明显。对武则天的女性认识与形象进行分析,发现人们对武则天的女性认识有一个明显的演变过程,这是历史学界和影视学界"性别书写"的例证。女性意识在初唐的初步松动,到武则天称帝时期妇女开放观念达到高潮,武则天玩弄各种权术达到中国封建社会女权时代的巅峰。通过三部影视作品三个不同的武则天和太子形象分析,从历史真实到影视真实,作为武则天的"她"把女人的妩媚与刚强娇柔浑然一体地结合在一起,造就帝王风范和媚女风流。Since the TV series of Wu Zetian＇s Anecdotes had its moments at the end of 2011, Wu Zetian and the royal history of the Tang dynasty have been paid particular attention. As a phenomenon of mass entertainment, it is worthy of studying. The power and prosperity of the Tang dynasty was especially obvious during Wu Zetian＇ s rule. Through analyzing Wu＇ s image and character, we find a clear evolution process for people to understand her, which is the example of ＂gender writing＇, in the circle of history and film and television. Female consciousness was awoken in the early Tang. When Wu Zetian proclaimed herself empress, it reached its climax. The power tactics which was practiced by Wu Zetian reached to the peak of feminist era of China feudal society. Through analyzing three works of film and television, and three different images of Wu Zetian and prince from the historical truth to film and television reality, we comes to the conclusion that Wu Zetian which was regarded as the women＇s charm and strength, combined consistently to bring up the imperial style and seductive female.

关 键 词：《武则天秘史》 历史真实 影视真实 女权时代 

分 类 号：J905[艺术—电影电视艺术]