松尾芭蕉俳句中的禅意及部分代表作品赏析  

Implications of the“Zen”in Matsuo Bashō's Haiku and Appreciation of His Partial Master Pieces

作　　者：崔德军[1] 

机构地区：[1]宜宾学院

出　　处：《日语学习与研究》2012年第5期117-123,共7页Journal of Japanese Language Study and Research

摘　　要：松尾芭蕉的俳句特色是"俳禅一如"、"风雅至诚"。本研究从芭蕉俳句诗中的"禅意"入手,探究"禅"的内涵及禅与俳句中空寂.闲寂(わび、さび)的关系,并从芭蕉的内心追求及其内在的审美观来剖析他笔下俳句中禅意的趣味性。研究表明,芭蕉笔下的"空寂.闲寂"是大自然本来面目在芭蕉内心的投影,其根本就是源于他内心的淡定。同时,芭蕉拥有的"无常观"使他透过现实世界的枯荣盛衰,洞见了生物自然之无常物情的真相"。无常"包含着「さび」最深邃的禅意和风趣。The characteristics of Matsuo Bash0＇ s Haiku are ＂Haiku with Zen as a whole＂ and ＂grace with sincerity＂. From the perspective of Matsuo Bash6＇ s interpretation of ＂Zen＂, this paper explores the connotations of ＂Zen＂, the relationship between ＂Zen＂ and the ＂empty and silent＂ （わび、さび）, and analyzes the appeal of ＂Zen＂ in his Haiku from the view of Matsuo BashS＇ s inner pursuit and his inner aesthetic standard. It reveals that ＂silence＂ is a projection of the true features of nature in Matsuo BashS＇ s mind, and its origin is from his inward calmness. Meanwhile, his ＂mutable sense of morality＂ enables him to have insight into the truth of the mutable world from the ups and downs of the real world. The ＂mutable sense＂ implies the deepest value of＂Zen＂ and the grace of emptiness and silence（さび ）.

关 键 词：空寂 闲寂 禅 素朴 无常 

分 类 号：I313.072[文学—其他各国文学]