椟胜于珠:旧体域外纪游诗中的“夹注”现象  

A Study on the Interlinear Notes in the Old-Style Extraterritorial Travel Poetry

作　　者：苏明[1] 

机构地区：[1]大连民族学院国际文化交流学院,辽宁大连116600

出　　处：《天中学刊》2012年第4期77-79,共3页Journal of Tianzhong

基　　金：教育部人文社会科学青年基金项目(10YJC751012);辽宁省教育厅人文社会科学研究项目(2010045)

摘　　要：在近现代旧体域外纪游诗中存在着一种奇特而有趣的"椟胜于珠"的现象,即诗中的夹注较之原诗更为引人注意。这一现象的存在,揭示了在跨文化书写过程中,旧风格(旧体诗)与新材料(现代域外行旅体验)之间的矛盾冲突。"椟胜于珠"现象既是旧风格与新材料之间相互背驰的表征,也是旧风格为了适应新材料所做出的一种变通。这一书写策略的选择,显示了旧风格在现代域外体验面前的失语,同时也预示着文学变革发生的必然。In modern and contemporary old-style travel poetry,interlinear notes draw much more attention than the poems they lie in,which discloses the conflicts between old style（classical poetry） and new material（modern extraterritorial traveling experience） in the process of cross-cultural writing.The phenomenon is both the characterization of the difference between old style and new material and a kind of adjustment made by old style to new material.The choosing of this kind of writing strategy shows the aphasia of old style when confronted with modern extraterritorial experience and indicates the inevitability of literary revolution.

关 键 词：旧体域外纪游诗 旧风格 新材料 现代域外行旅体验 

分 类 号：I207.227[文学—中国文学]