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机构地区:[1]新疆大学学报编辑部 [2]新疆大学教务处,新疆乌鲁木齐830046
出 处:《内蒙古大学学报(哲学社会科学版)》2012年第5期17-20,共4页Journal of Inner Mongolia University(Philosophy and Social Sciences)
基 金:教育部人文社会科学2011年青年基金项目(项目批准号:11xjjczh004)
摘 要:20世纪80年代以来,西部文学以原生态的自然景观、异域民俗风情的典型性表达,形成了西部荒蛮、奇异、贫乏而区别于中原大地的边地效果。西部文学坚守着西部"异域"的固化色调,导致西部城市形象在西部文学中的缺场。还原一个真实的西部,需要西部文学作家们对西部形象进行新的完整的确认,用心灵去体验真实的西部生活,开掘西部人现代化领域中无限丰富和变化的心灵,拓展西部作品的力度与厚度。作家应确立文学普世性的价值立场,对于西部文学中被遮蔽的城市形象作出正确的言说,改变一成不变的西部文化色调。Since the 1980s,West China literature,with its typical expression of primitive natrual scenery and exotic folklore,has formed its border land effect of desolation,weirdness,detitution that are different from the Central Plains.West China literature has kept its established exotic tone,resulting in the absence of the images of cities in west China in this literature.The restoration of a real west China demands the efforts of writers in this region to ascertain the image of west China,experience the real life in west China with their souls,explore the boundlessly plentiful and changing soul of people of west China in the modern domain,and improve the strength and depth of west China literature.Writers should build a value standpoint of literary universality,offer their correct opinions about the concealed image of cities in west China,and change the fixed and immutable tone of west Chinese culture.
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