现代化语境中的多重困境与精神自救——关于《Hello!树先生》的文化阐释  

The Multiple Predicaments and Spiritual Self-salvation in a Modern Context——A Cultural Interpretation of Hello,Mr.Tree

作　　者：付筱茵[1] 

机构地区：[1]西南大学新闻传媒学院,重庆400715

出　　处：《贵州大学学报（艺术版）》2012年第3期8-12,共5页Journal of Guizhou University Art Edition

摘　　要：当下,中国的现代化完成其固有命题还路程遥远,为时尚长,而各种后现代图景却又在各方面质疑并消解现代性的力量。这使得中国的现代化前景与命运暧昧难明。在此宏大历史语境下,《Hello!树先生》采用纪实主义与超现实主义结合的方式表现了城市化进程中边缘、底层农民的生存样态与精神出路。影片主要围绕主人公生存的三个方面展开,即现实困境、历史与心理困境、超现实精神式自救。通过这三个向度的铺开呈现了主人公树在历史与当下交织的农村现代化进程中面临的现实与心理上的生存困境与企图自救的努力。It is still a long way to go before the modernization is accomplished in China while various post-modern viewpoints are questioning and counteracting the modernity that makes the prospects of Chinese modernization quite ambiguous.In this macro-historical context,Hello,Mr.Tree depicts the existential state and spiritual outlet of the underprivileged farmers who are at the verge of urbanization with realistic and surrealistic ways.Concerning the hero＇s survival,the movie depicted from three aspects his predicaments in reality,in history and mentality and the surrealistic spiritual salvation to illustrate Shu（Tree）＇s existential predicament and his endeavor for self-salvation in the rural modernization within the historical and contemporary context.

关 键 词：现实困境 历史困境 精神自救 

分 类 号：J905[艺术—电影电视艺术]