纳西族东巴仪式舞蹈中鼓语的象征性叙事  

The Symbolic Narrative of the Drum Beat in Dongba Ritual Dance of the Naxi Nationality

作　　者：申波[1] 

机构地区：[1]云南艺术学院图书馆,云南昆明650000

出　　处：《贵州大学学报（艺术版）》2012年第3期103-108,共6页Journal of Guizhou University Art Edition

基　　金：教育部2010年人文社科规划基金项目"云南少数民族鼓乐文化研究"[项目编号:10YJA760041]阶段性成果

摘　　要：东巴舞蹈以使用手鼓、板铃等器具为"道具"或"法器",这些行为惯性固化为一种"内觉体验"的象征体系贯穿于东巴仪式的全过程,其肢体的造型和手鼓等乐器创造的音声隐喻,使得东巴舞蹈为创造音声提供了生态的空间,而手鼓等乐器营造的音声氛围却又为信仰提供了心理的空间,音声为东巴的身份由"俗"而"圣"的社会认同搭建了宗教的"通天巴比塔",仪式行为又为音乐学考察音声的社会功能提供了描述的依据。The props or musical instruments,such as tambourine and bell,are used in Dongba dance and such conducts are perpetuated as a symbolic system of ＂iteral experience＂ that penetrates in the entire process of Dongba rites.The audio and vocal metaphors produced by the drum beat and Dongba＇s body language make the physical space possible for the audio and vocal sounds in Dongba dance while the vocal and audio ambience created by the musical instruments as drum beats provides the psychological space for the faith.The vocal and audio sounds transcend Dongba＇s identity from the secular to the divine and thus it acquires a social identity as the religious Babel tower.In Dongba rites,their ritual conducts offer proofs for the social function of the vocal and the audio sounds in musicology.

关 键 词：东巴教 象征性与隐喻 鼓语 仪式 载体 

分 类 号：J722.22[艺术—舞蹈]