刍议“文学终结”诸种表象以及文学的未来  

Discussion on the Some Representation of "Literature Terminating" and the Future of Literature

作　　者：焦明甲[1] 

机构地区：[1]长春大学人文学院,长春130022

出　　处：《长春大学学报》2012年第11期1361-1363,共3页Journal of Changchun University

摘　　要：伴随技术时代来临,人们思维发生变化,海德格尔所说的"计算—表象思维"开始侵蚀文学艺术;文化工业化导致文学走向复制,文学的意识形态批判功能正在弱化;信息产业的发展,图像时代来临,崭新美学观念——消费主义美学诞生,对文学造成巨大冲击。在这样一个"文学终结"时代,文学应该怎样?作家何为?黑格尔关于艺术本质的理论告诉我们,生生不息的文学会更有作为。With the coming of technology era and the change of people＇s thinking,＂computation-representation thinking＂ by Heidegger began to erode literature and art.Culture industrialization led to the tendency of copying and the weakening of literature ideology functions.The development of the information industry,the coming of image generation and the appearance of the new aesthetics concept—consumerism aesthetics brought enormous impact on literature.In such an era of ＂literature termination＂,what should literature be and what would writers do？ Hegel＇s theory about the art essence tells us that the literature with vitality will do more.

关 键 词：文学终结 技术主导 文化转向 图像时代 人文理性 

分 类 号：I206[文学—中国文学]