中国油画风景的意象之路  

The Path of Imagery of the Landscape Oil Painting in China

作　　者：赵思有[1] 

机构地区：[1]无锡商业职业技术学院,江苏无锡214072

出　　处：《南京艺术学院学报（美术与设计）》2012年第5期113-116,182,共4页Journal of Nanjing Arts Institute:Fine Arts & Design

摘　　要：本文主要讨论的是中国油画风景的意象之路。首先对意象绘画的含义及其思想基础和文化价值进行说明和定位,在此基础上,通过结合中国油画百年的发展历程,梳理意象油画的探索之路,试图解读和分析意象油画的图式语言和文化精神。进而,探索在当代语境下,中国意象油画的独特价值和文化意义。The focus of this thesis is the development of imaqism style of Chinese oil painting in landscape.The first part discussed and interpreted the definition of the meaning and basic ideas about imaqism style,as well as its cultural values.Accordinq to the course of development of Chinese oil paintings in nearly a hundred years,the second part summarized the path of exploration of the imaqism style,also interpreted and analyzed the schema language and cultural spirit of the imaqism style. Furthermore,the third part explored the unique value and cultural significance of the imagism style of Chinese oil painting in contemporary context.

关 键 词：中国油画 风景 意象 意象油画 

分 类 号：J223[艺术—美术]