诗性的放逐:中国现代小说创作中的“文体互渗”批评话语  

Poetic Exile:The Critical Discourse about "Stylistic Mutual Infiltration" in Chinese Modern Novel Writings

作　　者：王爱军[1,2] 

机构地区：[1]南京师范大学文学院 [2]淮阴师范学院文学院

出　　处：《江苏广播电视大学学报》2012年第5期59-63,共5页Journal of Jiangsu Radio & Television University

基　　金：江苏省社科基金项目"现代文学文体互渗现象研究"(11ZWD019);江苏省普通高校研究生科研创新计划资助项目;南京师范大学研究生科研创新计划资助项目(CXZZ11_0858)

摘　　要：中国现代小说创作中的"文体互渗"批评话语有三种类型:即现代日记体小说、现代童话体小说和现代诗化小说的批评话语。此类"批评话语"皆指涉中国现代作家与对象世界之间确立共存关系而呈现出的一种独特状态,即诗性的彰显与消隐。现代小说创作中"文体互渗"批评话语的诗性放逐是与现代创作主体的个性人格、社会时代意识以及文化精神密切关联的。There are three types of critical discourse of ＂stylistic mutual infiltration＂ in Chinese modem novel writings： modem diary stories, modem fairy stories and modem poetical stories. Various ＂critical discourses＂ are referential to establish the symbiotic relationship between modem Chinese writers with the object world showing a unique status, i.e. , highlighting or blanking of the poetry. The poetic exile which comes of the critical discourse about ＂stylistic mutual infiltration＂ in Chinese modem novel writings, is closely related to the modem writers personality, social awareness of the times and the cultural spirit.

关 键 词：中国现代小说 文体互渗 诗性形态 批评话语 浮沉 

分 类 号：I207.42[文学—中国文学]