俗赋在中国古代戏曲中的遗存  

Su Fu Remained in the Ancient Drama

作　　者：吴晟[1] 

机构地区：[1]广州大学人文学院,广东广州510006

出　　处：《河北学刊》2012年第6期101-106,共6页Hebei Academic Journal

基　　金：2010年度国家社会科学基金后期资助项目<中国古代诗歌与戏剧互为体用研究>(10FZW016)

摘　　要：俗赋是一种面向观众表演的说唱形式。由于俗赋至唐五代不再流传,加上作为案头阅读赋体的发达,又由于打油诗的发展,致使俗赋在中国古代戏曲中并不多见。作为供读者案头阅读的赋体,也时而被运用到古代戏曲中来,以致造成俗赋与其混淆而被人们忽略。在写人、绘景、拟声、状物上,古代戏曲中还有词话等说唱形式;叙事主要由戏曲中的宾白与唱词所构成的情节来担任,而作为叙事为特点的俗赋在戏曲中只是穿插片断,对剧情的推动作用也不大,这些因素无疑影响了俗赋在古代戏曲中的运用。Su Fu is a kind of audience-oriented rap form.Because Su Fu didn＇t spread any more until the Tang and Five Dynasties and the development of reading Ode on the desk,and the Doggerel developed so that Su Fu were rare in the ancient drama.As for the Ode read on the desk by readers also sometimes been applied to the ancient drama,resulting that Su Fu was confused with the Ode even be overlooked.In the describing the character,painting the scene,mimicing the sound and describing the shape,there were other rap form,such as talking and singing and so on;narration mainly be shouldered by the plot of the Binbai and song words in the drama;but the Su Fu which took the narration as the characteristic was only an interlude fragment,and was not big to promote the plot in the drama.These factors undoubtedly affected the Su Fu＇s use in the ancient daram.

关 键 词：俗赋 戏曲 遗存 

分 类 号：I206.4[文学—中国文学]