《四库全书》寓禁于修与清代戏剧禁毁  

Ban Contained in Compilation of Complete Library in the Four Branches of Literature and Ban and Destruction of Drama

作　　者：乔丽[1] 

机构地区：[1]河南大学

出　　处：《浙江艺术职业学院学报》2012年第3期40-46,共7页Journal of Zhejiang Vocational Academy of Art

基　　金：河南大学2010年度校内科研基金项目"清政府戏剧禁毁政策研究"研究成果。(项目编号:2010YBRW011)

摘　　要：戏剧禁毁是中国古代戏剧史上一个重要话题,清代是戏曲最为繁盛的时期,也是戏曲遭到禁抑打击最为严酷的时期。乾隆皇帝借修纂《四库全书》寓禁于征、寓禁于修掀起了清代戏剧禁毁的高峰。自乾隆三十七年开始,乾隆皇帝恩威并施,发号施令,督促中央政府和各地要员查禁违碍书籍。乾隆四十五年以后,重点查禁苏州、扬州一带的戏曲曲本。两淮盐政伊龄阿、苏州织造全德等人秉承皇帝旨意,聘用曲学大家黄文旸、凌廷堪等人,在扬州设立曲局,审查曲本超过一千种。这种有序组织、上下协作查禁戏曲的政府行为,给戏曲带来极大打击,但也并非一无是处。戏曲在如此酷烈的禁毁高峰的压力下并未完全丧失生命力,而是依然向前发展着。The ban and destruction of traditional Chinese opera is an important topic in the history of ancient drama.Dramas developed prosperously in the Qing dynasty,but they were also greatly restrained.Emperor Qianlong prohibited and destroyed the opera on the pretext of compiling Complete Library in the Four Branches of Literature.It was the sole incident in the Chinese history that the government restrained The organized and cooperative act of government brought about great impact on drama,but also had some good influences.Traditional Chinese opera did not completely lose its vitality under the pressure,and still got development.

关 键 词：戏剧禁毁 寓禁于修 扬州曲局 

分 类 号：J809[艺术—戏剧戏曲]