故乡的两极:现代女性作家的乡土想像  

The two Poles of the Hometown: a Rural Image of Modern Female Writers

作　　者：李婧[1] 

机构地区：[1]南京师范大学文学院,210097

出　　处：《江苏社会科学》2012年第6期171-176,共6页Jiangsu Social Sciences

摘　　要：20世纪中国女性作家的乡土想像是在现代性语境中展开的。在启蒙视野的观照下,乡村负载了荒凉、凋弊的文化意像,而对童年乡村的记忆又隐含了女性作家对现代家园的期许和重建。现代女性作家的乡土小说沿着两个不同内涵展开了对故乡的想像和构建,以不同的方式书写着现代性的正题和反题。Since the 20^th century a rural image of modern Chinese female writers has been developed in the modern context. From the perspective of enlightenment, the countryside bears a bleak, destitute cultural image. The memory of the countryside in their childhood implies both the female writers＇ expectation and the reconstruction of a modern home. Their rural novels imagine and construct the hometown according to two different meanings, depicting both the thesis and the antithesis of modernity in different ways.

关 键 词：故乡 现代女性作家 乡土想像 

分 类 号：I207.42[文学—中国文学]