吕克·贝松电影的后现代倾向  

The Post-modern Tendency of Luc Besson's Films

作　　者：陈波[1] 

机构地区：[1]北京师范大学艺术与传媒学院,北京100875

出　　处：《湖北职业技术学院学报》2012年第3期62-65,共4页Journal of Hubei Polytechnic Institute

摘　　要：法国电影导演吕克·贝松用繁复、游离的拼贴影像以及去英雄化的叙事方式表现非主流化的社会群体的孤独与人性美,并借此表达自己对历史、现实和生命的认识。文章从影像风格、叙事特点以及自我表达三个层面,探讨了这位已基本形成自己电影体系的"高票房"欧洲导演的作品中隐藏的后现代倾向。The French director Luc Besson intends to express his own understanding of history,reality and life by adopting complex,free and collage images and de-heroized narration to depict loneliness and human beauty of non-mainstream social groups.This paper discusses from three aspects of image,narration and self-expression the hidden post-modern tendency in the works of this ＂high box-office＂ European director,who has formed his own film system.

关 键 词：吕克·贝松 后现代 影像 叙事 自我表达 

分 类 号：J905[艺术—电影电视艺术]